Monday, December 30, 2019

A Western Hero in Shane Essay - 838 Words

A Western Hero in Shane The western genre plays an important part in the mythologising of American history. The way the western genre and particularly the western hero are put across in such films as Shane, are most likely not how real life in the 1880s was. In Shane the hero arrived on horseback, he was confident, handsome and managed to charm the female character, Marion, almost immediately. Typically, throughout the film the mysterious gunslinger was wearing a cowboy hat and a holster around his waist. His clean-cut, masculine looks give an initial impression that Shane was to be the protagonist of the story. In reality, 1880s men were likely to be sexist or cruel, however this is not†¦show more content†¦The next shot is from long distance showing him riding across the plain. The distance of which the shot is taken suggests his isolation and also gives the impression that he has been travelling for a long time, and equally, has a long way yet to go. Also a distant shot, we see the figure riding along side the lake facing the familys house. In the foreground is a Deer whose antlers frame the figure perfectly. The shot looks almost picturesque as Joey watches Shane through the Deers antlers. Shane arrives at the familys log cabin, still on horseback; he talks with the family. The shot is a close up of Shane, however the difference in levels appears to give Shane authority over them, which is how he is perceived throughout the film. He smiles at Joey and compliments him on his attentiveness, You were watching me down the trail quite a spell, werent ya?...Yknowà ¢Ã¢â€š ¬Ã‚ ¦I like a man who watches things going on around, means hell make his mark someday. This is the moment we first recognise that Shane has an able way with children and from here he builds a good friendship with Joey. Similar to the last, the next is a low angle shot looking up at Shane, giving him the higher status in this scene. This time attention is drawn to the clouds behind, which makes him appear almostShow MoreRelatedEssay on Heroes in Western Film1555 Words   |  7 PagesHeroes in Western Film In the genre of western films, the hero plays a key role. Humanity portrays civilization overcoming the hostile country (Miller 66). In many films the American civil war is over, and people have turned their attention to more constructive pursuits. Battling nature to progress Americas future, rather than each other. In between this wild country, fraught with danger and corruption lies the role of the hero. A hero is an individual with exceptional skills and through hisRead MoreFilm Review: Shane995 Words   |  4 PagesGeorge Stevens 1953 film Shane is notable for a number of reasons, from its grand cinematography to its ambiguous ending, but perhaps the most striking thing about the film is its treatment of violence. In particular, the film uses the story of the mysterious gunfighter Shane to chart the gradual irrelevance of this kind of violence in the aftermath of the Civil War, and in some ways one can imagine that the film itself is attempting to recover from the violence of Wo rld War II. By examining someRead MoreYou Will Meet a Stranger588 Words   |  2 PagesIn the beginning, we meet a stranger, wearing buckskin leather and caring a revolver, by the name of Shane. He rides into a valley that hasn’t yet been fully settled, a short time after the Homestead Act was set into play after 1861. This gives us a first look at our professional hero, no matter what his history, hes apparently skilled in all aspects shown in t he movie. Somehow, he is brought into a dispute between the homesteaders and a ruthless cattle baron by the name of Rufus, who wants toRead More Science Fiction, Melodrama and Western Intersect in David Lynch’s Dune2925 Words   |  12 PagesScience Fiction, Melodrama and Western Intersect in David Lynch’s Dune A genre is a grouping of works, in this context a grouping of films, that are somehow similar or related in content or style. Genres are not strictly uniform over a period of time and do allow for growth and adaptation of their definitive characteristics. As the film industry has developed through the past century, various genres of films have emerged and are still evolving. Aspects of genres have been redefined and intermingledRead MoreThe Western Genre: An Analysis of its History and Rise and Fall as a Genre1403 Words   |  6 Pages The Classic Western genre is dead. Western films created now are not considered Classic Western, but are instead categorized in the Post-Western form. This happened because the overuse of filmic codes in the Western genre eventually led to predictability in the films. These â€Å"genre film cycles† occur because of the overuse of predictability. Film cycles are when a genre and its conventions become overused to the point of death to that specific genre. For example, if the film The Good, The Bad, andRead MoreThe American Old West: Myth Versus Reality2901 Words   |  12 PagesRay Miss Dae Selcer ELA III 22 December, 2011 The American Old West: Myth versus Reality Western, a genre of short stories that are set in the American west, primarily in the late of the 19th century (â€Å"Western† 598), and still being told until today by films, televisions, radio, and other art works. The major of moving to the west was because of the Homestead Act, 1862 (â€Å"U.S. Statues at Large† 392) which would give lands to people who stayed there for five years. This lead toRead MoreAnalysis Of The Poem Django Unchained 1313 Words   |  6 Pages and immigrants of varying origins. As such, modern westerns have chosen this aspect as a point of subversions with examples such as Blazing Saddles (1974), Django Unchained (2012), and The Magnificent Seven (2016). Blazing Saddles serves as a merging of the Ranch and Marshal narratives and is ostensibly meant to shed light on the absurdity of racism but also manages to provide a scathing critique of a common archetype of the Classical Western: the Rancher. â€Å"These are people of the land,â₠¬  says GeneRead MoreEssay on Western Movies Since 19602820 Words   |  12 Pagesnumber of quality Westerns being made . . . and since there seems to be a ten-year cycle in Western movie making, Id say well see more in about 1982.quot; 1 In 1982 only two Westerns were released, and neither was exactly a major success. Barbarosa, starring Willie Nelson, drew some respectable reviews–and some very damaging ones–but nobody went to see the film. The Ballad of Gregorio Cortez appeared first on PBS television, then later went into general release. Today the Western seems to be deaderRead MoreThe Wild West Of America2178 Words   |  9 Pageshistory and then in popular culture. Where it turns into music, dance, movies, tv shows, and cultures. For two centuries the Wild West was molded into the american’s culture that transpire in popular entertainment. David â€Å"Davy† Crockett the american folk hero, frontiersman, soldier, and politician, or what he is popular known as â€Å"King of the Wild Frontier†. Crockett’s legendary stories was told all over, from his legendary coonskin cap, his talent of shooting his trusty rifle at 40 yards and splittingRead MoreSurviving The Wars : Binary Disintegrations Of Homosociality And Homosexuality3237 Words   |  13 Pages(Goldie 135). By undermining masculine roles, Taffler threatens the implicit objective of the Great War: an exercise of patriarchal power through national dominance, one that is inherently male. Robert â€Å"seems †¦ confused by the ever reversing roles of hero/enemy, top/bottom, passive/active, viewer/viewed, penetrated/penetrator, feminine/masculine†, that defy traditional notions of dominant military homosociality (Rhodes 42). Thus, homosexuality is marked as perverse, the â€Å"other†, that destroys masculinity

No comments:

Post a Comment

Note: Only a member of this blog may post a comment.